Stoned Crocodiles | 5:52 |
The Odyssey Of The Blue Flies | 25:17 |
Pyramids In The Sky | 5:30 |
Hatem Imam The love of the milions | 8:48 |
Cut Me In Half | 6:27 |
Musicians
Raed Yassin: keyboards, laptop, electronics, vocals
Paed Conca: clarinet, electric bass, electronics
Recorded and mixed by Fadi Tabbal at Tunefork Studios, Beirut, Lebanon
Mastered by Stefan "Lopazz" at Mixmastering, Germany
Released: March 11, 2016
Design by Studio Safar
Produced by Annihaya/Discrepant
Additional musicians
Fadi Tabbal: Electric guitar
Sharif Sehnaoui: Electric guitar
Khaled Yassine: Riq
Fabrication of Silver Dreams is the third studio album from the Lebanese band PRAED. The CD is released on the Lebanese label Annihaya and the LP version is released on the UK-based label Discrepant.
“[…]It’s quite fascinating, there’s not a lot of foreplay, as when their music begins, there’s a second or two of scene setting and bang, you’re just dropped headlong into whirling chaotic maelstrom of electronics, percussion and clarinet, and it’s exhilarating. It’s so sudden it’s almost fight or flight. You have a choice: run or give yourself over to the music and enjoy the ride. The result is a psychedelic, Arabic kind of freejazz. They’re commonly referred to as psychedelic Shaabi (Arabic popular music), with squealing synths, relentless percussion and a clarinet spitting out various variations of some kind of mysterious eastern belly dance theme. It’s exotica meets electrics, hypnotic stasis that builds by repetition, as the electrics swirl and splutter. It’s not about precision, it’s about feel, and all the messy emotional dopamine responses that entails. Whilst it is loud and chaotic with an unrelenting forward momentum, it never descends into noise. At its heart it maintains a distinctive Arabic groove no matter how loud and chaotic it gets.
[…] They also sound like nothing else around…anywhere. Sure they’re mining an exotic aspect of Arabic popular culture, yet they’re doing so in such an exciting and groundbreaking way, referencing freejazz and electronic music and in the process creating new and hitherto unknown genres of sound that sets the pulse racing. You can’t ask for much more than that.”
Bob Baker Fish
Full article here
Photo by Tony Elieh
Founded in 2006 by Raed Yassin and Paed Conca, Praed is a band whose musical oeuvre can be described as a mixture of Arabic popular music, free jazz, and electronics. In the same year, the band made its first public appearance in Al Maslakh festival in Switzerland, immediately followed by a concert at the Irtijal festival in Beirut. Since then, the band has frequented numerous international music festivals and toured intensively world-wide, spanning the Arab world, Japan, Europe and Canada. Through these endeavors, they have created a large global network with other renowned musicians as musical collaborators. Their music is essentially multi-instrumental: Raed Yassin plays keyboards, electronics and vocals; and Paed Conca plays clarinet, electric bass and electronics.
The band’s main body of work explores the terrain of Arabic popular music (“Shaabi”) and its interconnectedness with other psychedelic and hypnotic musical genres in the world, such as free jazz, space jazz, and psychedelic rock among others. Since its inception, Praed has shown a very keen interest in Shaabi music as a medium that reflects Egyptian society’s complicated fabric. Through their research, they began to discover a strong cultural connection between these sounds and the “Mouled” music used in religious trance ceremonies. The hypnotizing psychedelic effect embedded in this genre presents similarities to other forms of popular music in the world that stimulate an atmosphere of sonic delirium.
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Stoned Crocodiles | 5:52 |
The Odyssey Of The Blue Flies | 25:17 |
Pyramids In The Sky | 5:30 |
Hatem Imam The love of the milions | 8:48 |
Cut Me In Half | 6:27 |
Musicians
Raed Yassin: keyboards, laptop, electronics, vocals
Paed Conca: clarinet, electric bass, electronics
Additional musicians
Fadi Tabbal: Electric guitar
Sharif Sehnaoui: Electric guitar
Khaled Yassine: Riq
Recorded and mixed by Fadi Tabbal at Tunefork Studios, Beirut, Lebanon
Mastered by Stefan "Lopazz" at Mixmastering, Germany
Released: March 11, 2016
Design by Studio Safar
Produced by Annihaya/Discrepant
Fabrication of Silver Dreams is the third studio album from the Lebanese band PRAED. The CD is released on the Lebanese label Annihaya and the LP version is released on the UK-based label Discrepant.
“[…]It’s quite fascinating, there’s not a lot of foreplay, as when their music begins, there’s a second or two of scene setting and bang, you’re just dropped headlong into whirling chaotic maelstrom of electronics, percussion and clarinet, and it’s exhilarating. It’s so sudden it’s almost fight or flight. You have a choice: run or give yourself over to the music and enjoy the ride. The result is a psychedelic, Arabic kind of freejazz. They’re commonly referred to as psychedelic Shaabi (Arabic popular music), with squealing synths, relentless percussion and a clarinet spitting out various variations of some kind of mysterious eastern belly dance theme. It’s exotica meets electrics, hypnotic stasis that builds by repetition, as the electrics swirl and splutter. It’s not about precision, it’s about feel, and all the messy emotional dopamine responses that entails. Whilst it is loud and chaotic with an unrelenting forward momentum, it never descends into noise. At its heart it maintains a distinctive Arabic groove no matter how loud and chaotic it gets.
[…] They also sound like nothing else around…anywhere. Sure they’re mining an exotic aspect of Arabic popular culture, yet they’re doing so in such an exciting and groundbreaking way, referencing freejazz and electronic music and in the process creating new and hitherto unknown genres of sound that sets the pulse racing. You can’t ask for much more than that.”
Bob Baker Fish
Full article here
Photo by Tony Elieh
Founded in 2006 by Raed Yassin and Paed Conca, Praed is a band whose musical oeuvre can be described as a mixture of Arabic popular music, free jazz, and electronics. In the same year, the band made its first public appearance in Al Maslakh festival in Switzerland, immediately followed by a concert at the Irtijal festival in Beirut. Since then, the band has frequented numerous international music festivals and toured intensively world-wide, spanning the Arab world, Japan, Europe and Canada. Through these endeavors, they have created a large global network with other renowned musicians as musical collaborators. Their music is essentially multi-instrumental: Raed Yassin plays keyboards, electronics and vocals; and Paed Conca plays clarinet, electric bass and electronics.
The band’s main body of work explores the terrain of Arabic popular music (“Shaabi”) and its interconnectedness with other psychedelic and hypnotic musical genres in the world, such as free jazz, space jazz, and psychedelic rock among others. Since its inception, Praed has shown a very keen interest in Shaabi music as a medium that reflects Egyptian society’s complicated fabric. Through their research, they began to discover a strong cultural connection between these sounds and the “Mouled” music used in religious trance ceremonies. The hypnotizing psychedelic effect embedded in this genre presents similarities to other forms of popular music in the world that stimulate an atmosphere of sonic delirium.
Back to Top