El Khawaga | 06:05 |
Doomsday Survival Kit | 17:33 |
Embassy Of Embarrassment | 11:41 |
The Spy Who Spoke Too Much | 15:26 |
Musicians
Raed Yassin: Synthesizers, Vocals, Electronics, Samples
Paed Conca: Clarinet, Electric bass, Electronics, Samples
All tracks are composed, arranged, performed and produced by PRAED
Recorded and Mixed by Fadi Tabbal at Tunefork Studio in Beirut in 2018.
Mastered in Paris by JPB
Artwork by Raphaelle Macaron
with the kind support from SüdKulturFonds and Migros-Kulturprozent
Additional musicians
Fadi Tabbal:
Guitar on El Khawaga Recorded at Tunefork Studio in Beirut in September 2018.
Hans Koch:
Bass Clarinet, Tenor and Soprano Saxophone on Embassy Of Embarrassment, The Spy Who Spoke Too Much and Doomsday Survival Kit recorded at his home in July 2018.
Walid Kamel:
Keyboards on Embassy Of Embarrassment and Doomsday Survival Kit 2018.
Khalid il Soghayyar:
Percussion on all tracks.
recorded at Studio El Araby in Cairo by Mohammad Hanafi in July 2017.
Akuphone presents « Doomsday Survival Kit », PRAED’s fourth album. This is the ultimate kit to prepare calmly for the sixth extinction! The Lebanese duo delivers a raging interpretation of the chaabi – popular Arabic music – using synthesizers, drum Machines, samples and other devices. The result is hypnotic and psychedelic, on the verge of trance. The clarinet of Paed Conca and the soaring lyricism of Raed Yassin sound like distant calls for help emerging from a world that is falling apart and slipping away. The record itself is enhanced by its sleeve – designed by the Lebanese artist Raphaëlle Macaron – printed in 5 Pantone colors making it as explosive as the music.
"Trance-inducing Chaabi psychedelia from Lebanon’s Praed duo for Paris’ ever intriguing Akuphone label. In four parts, including two treks over the 15 minute mark, Paed Conca and Raed Yassin conjure a unique mixture of street-level Chaabi dance music and far flung influence from jazz and psychedelia. Killer, frenzied microtonal dervishes and lysergic horns at play inside..."
(Boomkat Product Review)
Photo by Frank Schmitt
Founded in 2006 by Raed Yassin and Paed Conca, Praed is a band whose musical oeuvre can be described as a mixture of Arabic popular music, free jazz, and electronics. In the same year, the band made its first public appearance in Al Maslakh festival in Switzerland, immediately followed by a concert at the Irtijal festival in Beirut. Since then, the band has frequented numerous international music festivals and toured intensively world-wide, spanning the Arab world, Japan, Europe and Canada. Through these endeavors, they have created a large global network with other renowned musicians as musical collaborators. Their music is essentially multi-instrumental: Raed Yassin plays keyboards, electronics and vocals; and Paed Conca plays clarinet, electric bass and electronics.
The band’s main body of work explores the terrain of Arabic popular music (“Shaabi”) and its interconnectedness with other psychedelic and hypnotic musical genres in the world, such as free jazz, space jazz, and psychedelic rock among others. Since its inception, Praed has shown a very keen interest in Shaabi music as a medium that reflects Egyptian society’s complicated fabric. Through their research, they began to discover a strong cultural connection between these sounds and the “Mouled” music used in religious trance ceremonies. The hypnotizing psychedelic effect embedded in this genre presents similarities to other forms of popular music in the world that stimulate an atmosphere of sonic delirium.
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