Praed Horror Theme | 6:36 |
Kill Me | 1:43 |
The Suspect | 4:02 |
Half The Hope | 2:53 |
Melt Me Baby | 7:38 |
After The Message | 1:32 |
Rocket | 5:38 |
Kill Me Again | 00:46 |
Hamada & Tutu | 6:12 |
Money Dry Clean | 1:01 |
8 Gega | 10:49 |
Kill Me One More Time | 1:01 |
Musicians
Paed Conca: Electric bass, clarinet, electronics
Raed Yassin: Double bass, keyboards, electronics, vocals, electric guitar
Additional musicians
Fadi Tabbal: Electric guitar on "The Suspect"
Recorded, mixed and mastered by Fadi Tabbal at Tunefork Studios, Beirut, Lebanon
Artwork by Hatem Itam
Produced in Lebanon by Annihaya
Made in Japan is the second studio album by PRAED written and composed after two intensive tours in Japan. A mix of electronica beats and sampling, the record draws a lot of inspiration from soundtracks of Egyptian cinema and movies. It’s also the band’s first album to be released on the Lebanese label Annihaya - a concept musical label that specializes in the displacement, deconstruction and 'recycling' of popular or folkloric musical cultures.
"Raed Yassin and Paed Conca are both adept free improvisers, but they have other strategies in mind when they perform together as PRAED."
Bill Meyer, 2011
"This is an album made with humour and with tongue often firmly in cheek. Their re-working of local trashy pop culture mocks, but also gives the album a distinctly oriental feel that’s charming as much as it’s ridiculous. ‘Made in Japan’ may at times be challenging but it’s also an album that is thought provoking and fun."
Natalie, triplew.me, 2011
Photo by Tanya Traboulsi
PRAED Founded in 2006 by Raed Yassin and Paed Conca, PRAED is a band whose musical oeuvre can be described as a mixture of Arabic popular music, free jazz, and electronics. In the same year, the band made its first public appearance in Al Maslakh festival in Switzerland, immediately followed by a concert at the Irtijal festival in Beirut. Since then, the band has frequented numerous international music festivals and toured intensively world-wide, spanning the Arab world, Japan, Europe and Canada. Through these endeavors, they have created a large global network with other renowned musicians as musical collaborators. Their music is essentially multi-instrumental: Raed Yassin plays keyboards, electronics and vocals; and Paed Conca plays clarinet, electric bass and electronics.
The band’s main body of work explores the terrain of Arabic popular music (“Shaabi”) and its interconnectedness with other psychedelic and hypnotic musical genres in the world, such as free jazz, space jazz, and psychedelic rock among others. Since its inception, PRAED has shown a very keen interest in Shaabi music as a medium that reflects Egyptian society’s complicated fabric. Through their research, they began to discover a strong cultural connection between these sounds and the “Mouled” music used in religious trance ceremonies. The hypnotizing psychedelic effect embedded in this genre presents similarities to other forms of popular music in the world that stimulate an atmosphere of sonic delirium.
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