Once Upon A Time | 00:07 |
Shut Up | 00:32 |
Naima | 03:45 |
The Quarter Of Hope | 00:42 |
This Man Will Drive Me Crazy | 00:45 |
All About Souad | 08:04 |
The Story Of Shrewd Hassan | 01:32 |
The Deaf Oud | 09:12 |
Fairuz's Kiss | 00:32 |
All About Siham | 04:17 |
They Will Get Me Married | 02:25 |
Shkoukou's Puppet | 02:28 |
My Heart | 06:38 |
Sammy's Spare Time | 03:12 |
Midnight Trio | 03:04 |
Sherem Berem | 00:47 |
The Three Quarters Of Hope | 00:40 |
I Heard This Before | 00:08 |
Musician
Raed Yassin: Turntables, electronics
Released on July 30th, 2012
Recorded at A23 Studio, De Ateliers, Amsterdam, The Netherlands
Mastered by Bob Drake at Midi Pyrénées Studio, France
Artwork & design by Hatem Itam
Produced in Lebanon by Annihaya
A turntable solo album by Raed Yassin that deconstructs Arabic pop music from Lebanon and Egypt in the 70s and 80s. In this solo, the artist uses the different techniques of turntablism, including interventions on the vinyl itself.
“It’s like a bombardment of someone else’s memories, intriguing but confusing and quite hard to decode. […] Is he trying to represent a lost cultural era, or to make something new from its ruins? Or maybe to show how music can cut through when words get stopped?
Whatever the intent, you feel different when it’s done.”
Bill Meyer, Dusted Reviews
Photo by Tony Elieh
As a musician, Raed Yassin has been a key member in the Lebanese underground music scene for many years. One of the organisers of the Irtijal Festival of Experimental Music from its early beginnings, he founded his concept music label Annihaya in 2009. He is a member of several bands and groups, including “A” Trio, PRAED among others. As a double bassist, he developed a personal and independent extended technique, by employing different preparations and objects on his instrument. His interest here relies heavily on textures, energies and vibrations, the density of volume and sound, rather than conventional melodic structures.
Also an electronic musician and experimental turntablist, his approach to vinyl ranges from deconstructing Arab pop music, to reexamining the traditional music archives of countries from the global south.
With his duo band PRAED (along with Paed Conca), he acts as the lead singer and synth player, merging free jazz with psychedelic rock and Egyptian Shaabi music.
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