Fruit Soup | 10:55 |
Solomon's Lentils | 07:59 |
Veiled Asparagus | 04:50 |
Black Risotto With Razor Clams | 06:40 |
Dates 'n' Wine | 03:55 |
Musicians
Ute Wassermann: Vocal Performance with Whistles and Objects
Raed Yassin: Composition
The work was first performed at Café Oto, in London in 2014
CookSongBook was created during Raed Yassin’s residency at Delfina Foundation during the Politics of Food programme, 2014.
Recorded and Mastered by Rupert Clervaux
released January 1, 2014
The Raed Yassin CookSongBook is both a cook book and song book simultaneously, the recipes continue the artist's examination of everyday cultural sites. CookSongBook is written as a series of scores for solo female vocalist.
Photo by Peter Gannushkin
Ute Wassermann, voice artist, composer, improvisor is known for her unique many-voiced and extreme vocal sound-language. Ute studied visual arts (sound installation, performance art) at the Academy of Fine Arts in Hamburg, and singing at the University of California, San Diego. Her singing transcends the human voice shimmering between electronic, animalistic, inorganic and human qualities. Additional methods to extend the voice include the use of bird whistles, lo-fi electronics, resonators, objects, fieldrecordings. Her solo work is situated in the areas of improvisation, composition and performance art. Numerous performances as a vocal soloist and a member of bands in festivals and venues throughout Europe, Australia, Mexico, Brasil, Asia and Arabic countries. Recent commissions for compositions by Ryogoku Art Festival Japan, University of Amsterdam and Poetica Sonora Mexico City, Transart Festival Bolzano.
Raed Yassin As a musician, Raed Yassin has been a key member in the Lebanese underground music scene for many years. One of the organisers of the Irtijal Festival of Experimental Music from its early beginnings, he founded his concept music label Annihaya in 2009. He is a member of several bands and groups, including “A” Trio, PRAED among others. As a double bassist, he developed a personal and independent extended technique, by employing different preparations and objects on his instrument. His interest here relies heavily on textures, energies and vibrations, the density of volume and sound, rather than conventional melodic structures.
Also an electronic musician and experimental turntablist, his approach to vinyl ranges from deconstructing Arab pop music, to reexamining the traditional music archives of countries from the global south.
With his duo band PRAED (along with Paed Conca), he acts as the lead singer and synth player, merging free jazz with psychedelic rock and Egyptian Shaabi music.
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