Beach Party At Mirna El Chalouhi | 27:16 |
Koji Kabuto (Ya Akruto) | 4:53 |
Uninterruptible Power Supply | 27:51 |
Musicians
“A” Trio
Mazen Kerbaj: Trumpet
Sharif Sehnaoui: Acoustic Guitar
Raed Yassin: Double Bass
Scrambled Eggs
Charbel Haber: Electric Guitar, Electronics
Malek Rizkallah: Drums
Tony Elieh: Electric Bass
All music by Scrambled Eggs and “A” Trio. Track 2 by Raed Yassin and Mazen Kerbaj
Recorded, mixed and mastered on January 5th and 6th, 2009 by Fadi Tabbal at Tunefork Studios, Beirut, Lebanon
Artwork & design by Mazen Kerbaj
Released May 11, 2010
Originally released in CD format on Al Maslakh / Johnny Kafta's Kids Menu
A collaboration album between “A” Trio and the Lebanese punk-rock band Scrambled Eggs, serving as a kind of precursor to their future group: Johnny Kafta Anti-Vegetarian Orchestra. The two longer tracks present complete improvisations that mix two seemingly disparate sonic worlds: acoustic free improv and contemporary rock. While each band affirms its identity, their sound merges together here to create a new third voice.
The song Koji Kabuto (Ya Akrouto) (co-written and co-sung by Mazen Kerbaj and Raed Yassin) is a playful and rowdy punk rock track, that can leave listeners stunned and wanting for more.
Photo by Tony Elieh
Scrambled Eggs is an indie band based in Lebanon. The band formed in Beirut in 1998 after the the end of the Lebanese civil war. They toured around Lebanon and Europe, and the band founded its own record label entitled Those Kids Must Choke. In 2007, the group was the subject of an article in Time Magazine about Lebanon’s vibrant music scene that thrives despite the country’s political turmoil.
“A” Trio is a Lebanese improvisation group founded by Mazen Kerbaj, Sharif Sehnaoui, and Raed Yassin. Formed in 2002 in Beirut during the second Irtijal Festival of Experimental Music, the three musicians went on to record their first free jazz album entitled “ A ”. Their music later moved away from its jazz roots towards a more textural approach, relying strongly on prepared and extended techniques for a heavy diversion of their respective instruments. After working together in trio and various other contexts for many years, Kerbaj, Sehnaoui and Yassin reached a characteristic sound that has been fondly described as “textural swing.” Creative yet simple, acoustic yet powerful, their live performances are playful and rely on a strong visual component.
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